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For this reason I paint the you can get away with. So, whilst I may use a has more than one area of interest, or focus. sword boldly, although not too boldly as we don’t focus, that of Arthur’s reaching hand and the want to overwhelm the main focus and therefore confuse the image. I also add a shadow to the rock and the sword handle. This helps place the sword in relation to Arthur, reinforcing the idea that he’s just about the grasp it. Whilst I’m happy with the metallic look of the sword it’s looking a bit bland so later I’ll come back and jazz it up.

When painting reflective metal like this bear in mind not just the direction of the main light source but also the lesser reflections from the environment. These needn’t be especially accurate but if they are not included the metal tends to look dull, like stone. Arthur’s armor is unmarked in order to reinforce the idea of a young, inexperienced character. 09) Step 10 – Chain mail Chain mail, viewed at mid-distance, is easy to paint. com page 51 Issue 052 April 2010 Chapter 4: Excalibur Painting Fantasy Medieval Scenes color.

15) As a final design element, interconnecting pipings and vents are added alongside the whole Skypier, to reflect the mechanical steampunk nature of this large construct. Thus with that, our daytrip of the mechanical realms of D’Metronomus comes to an end, and we shall reconvene at the local transit centre. End of D’Metronomus Tour Welcome back to the old world SkyPort of the D’Metronomus transit centre. Our tour has visual storytelling in the development of visual taken a look at the Old quarter, and learnt world building and development of a rich visual about the history of the Sones and subsequent vocabulary via development of a city as a whole.

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